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1. #WATCH PIRATES OF THE CARIBBEAN ON STRANGER TIDES FREE MOVIE#
2. #WATCH PIRATES OF THE CARIBBEAN ON STRANGER TIDES FREE SERIES#

People like Elia Kazan, Orson Welles and Arthur Penn did it back when movies were wordier and less dependent on visual effects. Stage experience does not typically translate into successful filmmaking. Marshall’s ascendency in Hollywood is unusual.

“He understands movement and how action could be done in a different and fresh way,” he said. Marshall’s choreography background led to Disney’s embrace, said Jerry Bruckheimer, the producer of the “Pirates” series. “And that was a story I could actually follow.” The challenge was to do it in fewer shooting days than needed for “At World’s End,” and with a reduced effects budget.

#WATCH PIRATES OF THE CARIBBEAN ON STRANGER TIDES FREE MOVIE#

Marshall equally bent on restoring specialness to this theme-park ride turned movie franchise? “I really had one criteria for signing on,” Mr. But Jack Sparrow, to paraphrase one of his best-known lines, can’t bring a ship in all by his onesies. Depp’s determination bodes well for “Pirates of the Caribbean: On Stranger Tides,” which arrives in theaters on Friday and will have an out-of-competition screening at the Cannes Film Festival this week. “I was adamant about really getting this right.” Marshall, could “breathe air into every moment,” Mr. But a new director, in particular an unlikely choice like Mr. Depp said carefully in a telephone interview. “In the second and third movies Gore was married to an enormous amount of substories, a lot of mathematics to connect,” Mr.

#WATCH PIRATES OF THE CARIBBEAN ON STRANGER TIDES FREE SERIES#

Senior Disney executives, dismayed by ballooning costs, were in a similar state of mind.Įven Johnny Depp, the linchpin of the series as the swishy swashbuckler Captain Jack Sparrow, knew that the last film, directed by Gore Verbinski (as were the first two), had lost its way. (A crab army that can carry a landlocked ship on its back? Really?) The third installment, “Pirates of the Caribbean: At World’s End,” clocked in at a barnacle-covered 2 hours 49 minutes and was quickly nicknamed “At Wit’s End” by bloggers. Fans of the franchise were in open rebellion over bloated running times and bewildering story lines. Yet Disney knew it needed to do something bold to make “Pirates” sail again. But his next two films, “Memoirs of a Geisha” and “Nine,” were kicked in the teeth by critics and sputtered at the multiplex. Marshall, a Broadway choreographer and director turned filmmaker, had powered that musical to a best picture Oscar in 2002. LOS ANGELES - When Walt Disney Studios picked Rob Marshall to restart its $3 billion “Pirates of the Caribbean” series, Hollywood did a double take.